Tuesday, April 12, 2016

Week 14: Road to War

This week's assignment is straightforward:

You are asked to read W.H. Auden's poem "September 1, 1939", chose one stanza and provide an interpretation thereof. Your interpretation, resulting as it may from the general impression of the verses, should draw largely from the historical context in which the poem was written and which it purported to capture.

Below is the text of the poem:



I sit in one of the dives
On Fifty-second Street
Uncertain and afraid
As the clever hopes expire
Of a low dishonest decade:
Waves of anger and fear
Circulate over the bright
And darkened lands of the earth,
Obsessing our private lives;
The unmentionable odour of death
Offends the September night.

Accurate scholarship can
Unearth the whole offence
From Luther until now
That has driven a culture mad,
Find what occurred at Linz,
What huge imago made
A psychopathic god:
I and the public know
What all schoolchildren learn,
Those to whom evil is done
Do evil in return.

Exiled Thucydides knew
All that a speech can say
About Democracy,
And what dictators do,
The elderly rubbish they talk
To an apathetic grave;
Analysed all in his book,
The enlightenment driven away,
The habit-forming pain,
Mismanagement and grief:
We must suffer them all again.

Into this neutral air
Where blind skyscrapers use
Their full height to proclaim
The strength of Collective Man,
Each language pours its vain
Competitive excuse:
But who can live for long
In an euphoric dream;
Out of the mirror they stare,
Imperialism's face
And the international wrong.

Faces along the bar
Cling to their average day:
The lights must never go out,
The music must always play,
All the conventions conspire
To make this fort assume
The furniture of home;
Lest we should see where we are,
Lost in a haunted wood,
Children afraid of the night
Who have never been happy or good.

The windiest militant trash
Important Persons shout
Is not so crude as our wish:
What mad Nijinsky wrote
About Diaghilev
Is true of the normal heart;
For the error bred in the bone
Of each woman and each man
Craves what it cannot have,
Not universal love
But to be loved alone.

From the conservative dark
Into the ethical life
The dense commuters come,
Repeating their morning vow;
'I will be true to the wife,
I'll concentrate more on my work,'
And helpless governors wake
To resume their compulsory game:
Who can release them now,
Who can reach the dead,
Who can speak for the dumb?

All I have is a voice
To undo the folded lie,
The romantic lie in the brain
Of the sensual man-in-the-street
And the lie of Authority
Whose buildings grope the sky:
There is no such thing as the State
And no one exists alone;
Hunger allows no choice
To the citizen or the police;
We must love one another or die.

Defenseless under the night
Our world in stupor lies;
Yet, dotted everywhere,
Ironic points of light
Flash out wherever the Just
Exchange their messages:
May I, composed like them
Of Eros and of dust,
Beleaguered by the same
Negation and despair,
Show an affirming flame.

5 comments:

  1. Into this neutral air
    Where blind skyscrapers use
    Their full height to proclaim
    The strength of Collective Man,
    Each language pours its vain
    Competitive excuse:
    But who can live for long
    In an euphoric dream;
    Out of the mirror they stare,
    Imperialism's face
    And the international wrong.


    According to Auden, the world can come to everyone's self-government. "Collective Man" is just a utopia of communism. But it is hampered by an endless stream of incoming hypocrites hindering the movement of this "Collective Man".
    As for me, the problem is not in these dictators.

    ReplyDelete
  2. It this stanza ('All I have is a Voice...'), line 1-6, he says that it is in the power of people as W. H. Auden to shed the light of the truth on the situation in Europe. Here he hints that the Authority relies on the support of the Crowd (previously referred to as Collective Man), which consists of 'sensual men-in-the-streets'. The 'buildings' that 'grope the sky' belong to the Authority, but not the people, which also points at the distance between them.
    Next two lines present us the idea, that although the State and the People are separate, they ultimately are in the 'same boat' when it comes to the war. That also brings up a situation, that occurred during WWI, when any social barriers that stood between citizens of the state did not really meant that much: they were all equal ('citizen or police' 'must love one another or die') before the face of the greater threat, the War.

    ReplyDelete
  3. From the conservative dark
    Into the ethical life
    The dense commuters come,
    Repeating their morning vow;
    'I will be true to the wife,
    I'll concentrate more on my work,'
    And helpless governors wake
    To resume their compulsory game:
    Who can release them now,
    Who can reach the dead,
    Who can speak for the dumb?

    This stanza begin from “From the conservative dark …” there he want say that conservative' means to keep things the same (as if he condemns). In the words “Repeating their morning vow”, and the word “compulsory”, are created a sensation similar to an infinitely repeated episode, which we have to watch every day that shows that people like mechanical. In the last three lines”Who can …” which are a similar arrangement for grammatical and semantic structure elements, The author urges us to wake people up from some dreams (also I think He feels alienated to normal life, but I do not know why. May be He wants us to feel themselves same).

    By the way the entire poem seems that the author of his poem accusing all people, who could stop war, but they couldn't. Odeon relates to the accused himself, because he was unable to prevent the bitter result too. Moreover in his poem, he sees war as a disease, describes the external symptoms of the disease and trying to establish the causes (but is my opinion).

    ReplyDelete
  4. From the conservative dark
    Into the ethical life
    The dense commuters come,
    Repeating their morning vow;
    'I will be true to the wife,
    I'll concentrate more on my work,'
    And helpless governors wake
    To resume their compulsory game:
    Who can release them now,
    Who can reach the dead,
    Who can speak for the dumb?

    The first line of this stanza displays the disapproval of the author towards the times of absolutist monarchy. And it is not surprising due to the fact that Auden was a leading left-wing poet. Then he refers to the "ethical life", and I think by this he meant the present time. The "dense commuters" might be the rulers whose disposition had not changed since the age of monarchy even though the apparent modernity came. The "morning vow" of these rulers purports to be similar with that of an ordinary working man, namely the claims about dedication to the family life and work. However, Auden tries to say that these vows are not fulfilled afterwards and in fact are of no worth. The rulers have no real power and often are driven by the unsteady motives. "The compulsary game" designates the only means for exercising the power that remains to the vicious rulers. The last three lines state that there is no way to cure them, that they are unreachable and already "dead" and "dumb". Maybe Auden blames the German authority for the outburst of the WWII.

    ReplyDelete
  5. In 1939, at the age of thirty-two years, Auden moved to the US, Humphrey Carpenter wrote (W.H Auden, a biography) that many took this move for treason. It is important to understand that all this is pretty much affected him, as the author, and as a person.


    In the same year, September 1, World War II began. These lines were published October 18 in the journal "The New Republic".

    All I have is a voice
    To undo the folded lie,
    The romantic lie in the brain
    Of the sensual man-in-the-street
    And the lie of Authority
    Whose buildings grope the sky:
    > It seems to me, because he was a man of the old world, he felt a big difference in how the American people and the power of America, sees the situation in Europe, and what it really is.

    There is no such thing as the State
    And no one exists alone;
    Hunger allows no choice
    To the citizen or the police;
    >It seems to me, in these lines, he said about Germany, about the causes of the fascist government.
    We must love one another or die.
    > Peace or anything.

    ReplyDelete

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